Here’s another part of the process of making The Firelight Isle that I haven’t discussed much… the editor!
As I’ve mentioned before, the lovely and incredibly experienced David Fickling has been editing The Firelight Isle since very early on in its life. David has had an incredible career and knows story-telling inside out… he’s helped to take The Firelight Isle from a collection of related themes, character sketches and events, to a genuine story, all without directly suggesting what I should do with the writing, or where the plot should go. Here’s a little snippet from his bio:
In his first job at Oxford University Press he signed up Philip Pullman’s The Ruby in the Smoke, and has published Philip’s books ever since, including the multi-million selling His Dark Materials trilogy. Later he set up Doubleday’s program of original children’s books: the launch list included Philip Pullman and Jacqueline Wilson (whom David teamed up with artist Nick Sharratt). David is the man behind both the Goosebumps and Horrible Histories phenomenon, he remembers being told kids don’t like history! In more recent years he published Mark Haddon’s The Curious Incident of the Dog in the Night-time (bestseller and award winning play) and John Boyne’s The Boy in the Striped Pyjamas, Jenny Downham’s Before I Die and Andy Mulligan’s Trash – all international bestsellers and big time Hollywood movies.
He’s now publisher at the newly independent David Fickling Books, and I’m hoping that after The Firelight Isle has finished it’s run on the web, that it will eventually be collected by DFB into a lovely printed edition. The details and certainty of that publication are still up in the air though, because the way we’re approaching the creation of this story is as a whole… both David and I are keen that no corners are cut in the writing, and that (although the story is being released episodically) we approach the overall narrative with as much attention and care as any novel receives in editing. There’s no commitment to the book until it’s all top notch from beginning to middle to end, and last time we met, we agreed that the story needed quite a bit of work.
Given that, I’ve gone out on a limb somewhat in even drawing and publishing Chapter 1, but I feel that there are some concessions to be made for the webcomic format. I wanted to get the first part of the story out there so that I could gauge how the story was sitting as a series of stand-alone episodes and chapters, and I’m glad that I did. Having finished these 30 pages has really solidified how I see the characters and world, to the point where I don’t think my re-draft would have been effective if I hadn’t already finished Chapter 1.
The only snag with this method of creation is that webcomics should run to a tight schedule, but editing a 300+ page graphic novel runs to a different kind of time-table. David (having just set up a publishing company) is a pretty busy guy, and handing in a draft for him to look at means waiting until we can discuss it properly. I have a meeting set with him for the end of July, but until then I can’t really do anything more on The Firelight Isle.
This is kinda frustrating, so please bear with me over the next three weeks or so. I’ll be posting news about how things went after the meeting is done!